the element of crime (1984)

Lars von Trier’s directorial debut tells the story of a detective provoked to return to his old beat in order to solve a cold case. The film has a very unique look about it, in that it is largely filtered with a sepia tone, albeit with vivid occasional splashes of blue. british actor michael elphick leads the cast as the aforementioned detective, following the trail of a serial killer using a technique outlined in a book, the element of crime from where the film takes its title.

Following Europa I was very much looking forward to checking out some similiar period von trier, and The Element Of Crime didnt disappoint, in fact I found it to be much better than ‘europa’. The concept and the style worked perfectly together, both really complimenting each other, making a film that is not just style over substance, but incredibly powerful at the same time. The world of the film reminded of the work of Gilliam and early Jeunet, creating, similiarly to ‘europa’ a very old fashioned future, except that the world of Europa was a very futuristic past.

As for whether or not the film will hold up to repeated viewings im not sure, but the initial experience alone was incredibly inspiring, leading to what I would consider one of the best films I have seen in a long time.

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  1. [...] high on the Hope Lies agenda (Scorsese is a common sight on the site, and Von Trier’s The Element Of Crime long held the top spot on our list of greatest films ever made in the early days of [...]

  2. [...] that I feel that his later work has never lived up to the expectations so wonderfully conceived in The Element of Crime and Europa. Antichrist is a return to that form. Creatively and visually his work is up there with [...]



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