<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments on: spellbound (1945)</title>
	<atom:link href="http://hopelies.com/2009/01/11/spellbound-1945/feed/" rel="self" type="application/rss+xml" />
	<link>http://hopelies.com/2009/01/11/spellbound-1945/</link>
	<description>&#34;Anything you build on a large scale or with intense passion invites chaos.&#34; Francis Ford Coppola</description>
	<lastBuildDate>Sun, 05 Feb 2012 16:54:48 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>By: Shutter Island (2010) &#171;</title>
		<link>http://hopelies.com/2009/01/11/spellbound-1945/#comment-314</link>
		<dc:creator><![CDATA[Shutter Island (2010) &#171;]]></dc:creator>
		<pubDate>Sun, 14 Mar 2010 18:15:37 +0000</pubDate>
		<guid isPermaLink="false">http://hopeliesat24framespersecond.wordpress.com/2009/01/11/spellbound-1945/#comment-314</guid>
		<description><![CDATA[[...] point for Scorsese’s film must surely be his 1945 Ingrid Bergman and Gregory Peck double header Spellbound, with particular attention paid to the stylistic formation of the incorporation of a famous dream [...]]]></description>
		<content:encoded><![CDATA[<p>[...] point for Scorsese’s film must surely be his 1945 Ingrid Bergman and Gregory Peck double header Spellbound, with particular attention paid to the stylistic formation of the incorporation of a famous dream [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ascenseur Pour L&#8217;Echafaud (1958) &#171; Hope Lies at 24 Frames Per Second</title>
		<link>http://hopelies.com/2009/01/11/spellbound-1945/#comment-195</link>
		<dc:creator><![CDATA[Ascenseur Pour L&#8217;Echafaud (1958) &#171; Hope Lies at 24 Frames Per Second]]></dc:creator>
		<pubDate>Tue, 25 Aug 2009 20:08:15 +0000</pubDate>
		<guid isPermaLink="false">http://hopeliesat24framespersecond.wordpress.com/2009/01/11/spellbound-1945/#comment-195</guid>
		<description><![CDATA[[...] the occupation of World War Two. As a result, the fingerprints of Hitchcock’s Notorious and Spellbound can be found all over Ascenseur Pour L&#8217;Echafaud, be it in the look of the visuals or tone of [...]]]></description>
		<content:encoded><![CDATA[<p>[...] the occupation of World War Two. As a result, the fingerprints of Hitchcock’s Notorious and Spellbound can be found all over Ascenseur Pour L&#8217;Echafaud, be it in the look of the visuals or tone of [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

